The Nguni cow’s portrait

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Nguni Portrait – Ink on paper, A3 200gsm.

I had the opportunity recently to paint cows again for a commissioned ink work, which is now in its home in Hermanus enjoying the ocean air.

Some notes on the process:

  1. A fairly rough sketch in 5B pencil on some paper to warm up and have a better look at the image – hey bingo, a separate artwork (below).
  2. Plot the basic lines in 2H pencil on the A3 paper using a light box (read: my window) and the reference image for proportion accuracies.
  3. Ink time! Start with large areas of washes in very watered down ink where the darkest areas/shadows lie in the image.
  4. Work on layers, painting smaller areas but darker shades, building up the details.
  5. Work
  6. Work
  7. Work
  8. Use your finest paintbrush, add the detailed finishing lines, like lashes and stray hairs.
  9. Sign.
  10. Hey pesto. Nguni portrait done 🙂
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Practice sketch

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All images are © Amy Slatem.

Hello there, Adele.

Adele-Vinyl-cover

Adele has just recently released her single ‘Hello’, taken from her new album, 25, (release date: 20 November).
The song is great. Like really. Which is why I decided to pull out my (rather dusty) inks and brushes and while listening to this goosebumping song far too many times, I did an Adele-portrait-meets-lyrics piece.
I ended up simplifying the original artwork in Photoshop because there was just too much text… this should explain why not all the lyrics made it on in the end. But that’s just the fine print. Who reads fine print anyway? (I’m joking)

1I started the painting as an A3 landscape (I’m not sure why that made sense at the time) which was just a bit too big to fit in my scanner at the end. So the only way to really digitise it (other than photographing, but that’s not accurate enough) was to scan in the image half a side at a time, left then right with enough overlap each time. And yay Photoshop (and Google for showing me the answer) and its highly impressive automatic stitching command: Photomerge (File > Automate > Photomerge).

Stitched-Trio
1. I was originally going to manually try match up and layer the two scans myself – this would’ve taken a lot more time, effort and inaccuracy.
2. This shows the stitching that PS did by itself. Pretty incredible. I pulled the two pieces apart just to show how it merged the two separate images so perfectly together. I initially thought it was already flattened because it looked so natural.
3. How it looked immediately after it finished rendering the Photomerge. SEAMLESS!!


Adele by Amy SlatemFinal artwork ^^
Reminiscent of Billy Joel’s Piano Man actually…


Adele-OriginalThe original artwork scanned in (more text – but it looked too much like a beard so I erased it)


Adele-eyesAdele se oogbolletjies. (detail)


PROCESS PHOTOS…42


In case you STILL haven’t heard it…

Sunday Figures.

Amy Slatem Ⓒ 2014 Various black and white figures done in charcoal, ink and pen, some mixed. Fashion catalogs provide a myriad of interesting and well composed collections of figures to practice some body drawing and playing with different media on A3 paper.

Charcoal-figure-1Amy Slatem Ⓒ 2014Figure 1 and detail: WiIllow charcoal tonal drawing on paper. 297 x 420mm


Charcoal-and-chalk-figureCharcoal-and-chalk-figure_detailFigure 2 and detail: Charcoal and soft pastel on paper. 297 x 420mm


Ink figure1Ink-figure1_detailFigure 3 and detail: Ink and brush on paper. 297 x 420m


Ink-and-pen-figure-1Ink-and-pen-figure-1_detailFigure 4 and detail: Pen, water and ink on paper. 297 x 420mm
(Wow, her leg looks a bit broken. My bad)